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  • The rise of clubs such as Berghain has meant that techno built for dark, underground spaces has seen a resurgence in the last few years. And Mike Dehnert is just one Berlin resident that is happy to see that sound gaining traction yet again. His Fachwerk label has become a reliable name for DJs looking for restrained but rhythmically powerful techno grooves, and his regular sets from the Tresor club have become talking points for both attendees and also those checking them out via his Soundcloud page. After collaborating with Clone for two singles on their Basement Series imprint, Dehnert has decided to again work with the Dutch group for his latest release, using them as distributors for a 150-limited 12-inch single. Only available via Clone and a few select retailers, the unmarked red vinyl swiftly disappeared from retailers (indeed, this reviewer had to shell out €20 in order to obtain a copy), and to be honest, it's a surprise that this material has been limited to such a small quantity given its level of quality. Out of the two tracks, "MD2.1" is closer to the Dehnert sound that we've become accustomed to via his previous releases, albeit far more muscular and grinding than his usual fare. A simple but powerfully implemented kick and bass pattern feed off each other, while bleeps that instantly recall the work of Mika Vainio and Sleeparchive flow atop the rolling rhythm. But the point where it really takes off, is when the grainy hi-hats emerge, only for them to be transformed into crisp, fist pump-inducing punctuation marks. It's B-side cut "MD2.2" that people will be seeking this record out for, however, as Dehnert injects a rather large amount of swing into the typical dubwise Berlin techno template. Techno fans who hear it devoid of release info would be forgiven for mistaking it as a forthcoming track from Shed's Equalized project, but instead of sounding derivative, Dehnert's reversed, delayed chords and woodblock use should elevate the track to cult status. Whether it will get a repress is doubtful given how it was originally marketed, but while that's a great shame for those who missed out first time around, DJs who have this in their possession should make the most of this secret weapon, ensuring as many people get to hear it as possible in its current state of release.
  • Tracklist
      A MD2.1 B MD2.2
RA